All musical instruments do have their good and their
bad days. Seemingly unexplainable, they behave unstable in attack, tune
and the actual quality of the sound. This physical phenomena show the
complex context between the tension of a swinging system and its very
At all times instrument builders made sensitive
progress with all of their experience in the choice of materials and their
craftsmanship (also in relation to the inner deadening). Only a brilliant
built instrument fulfils the conditions towards an excellent sound.
Every musician knows, that playing his instrument correctly, it increases
the actual sound characteristics in a positive sense, but as we know,
only in a very time consuming way and still with limited success. As soon
as the instrument doesn’t get played or it needs repair, it looses
all of that hardly achieved character again.
Since the work out of the “sound optimization
process” it is now possible, to de-dampen, technically precise,
up to its very mechanical acoustic final condition, no matter how old
the instrument is or how often it had been played before.
All string or keyboard instruments, wood or brass
or percussions can be sound optimized.
Everything thereafter shows proof of acoustic enhancements.
Direct attack, precise dynamic response, outstanding
brilliance, exquisite balance and fully present intonation, while the
typical character of the instrument maintains.
Whoever wants to know at lifetimes how good his instrument can really
sound, should give a hint.